{"id":444885,"date":"2015-08-27T00:00:08","date_gmt":"2015-08-27T07:00:08","guid":{"rendered":"https:\/\/newed.any0.dpdns.org\/en-us\/research\/?post_type=msr-project&p=444885"},"modified":"2019-10-28T14:19:41","modified_gmt":"2019-10-28T21:19:41","slug":"every-no-one","status":"publish","type":"msr-project","link":"https:\/\/newed.any0.dpdns.org\/en-us\/research\/project\/every-no-one\/","title":{"rendered":"Every No One"},"content":{"rendered":"\t\t\t
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Every No One<\/em> was an interactive sculpture from artist Adu\u00e9n Darriba Frederiks (opens in new tab)<\/span><\/a>\u00a0was featured at Remix, the Seattle Art Museum\u2019s summer party at the Museum\u2019s Olympic Sculpture Park. Frederiks was an Artist in Residence at Microsoft Research during the summer of 2015.<\/p>

Frederiks, working with a Microsoft Research team, Neel Joshi<\/a>, Michael Cohen (opens in new tab)<\/span><\/a>, and John Boylan (opens in new tab)<\/span><\/a>, put the piece together over a few weeks. It consists of an array of boxes of white fabric stretched over a frame of carbon fiber tubing. Part of the structure is supported with huge white helium balloons. A video camera next to the array captures the faces of passers-by. Face capture software then fragments each face into its component eyes, ears, nose, and mouth, which are rear projected in random sequences onto the boxes.<\/p>

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The piece, \u201cEvery No One,\u201d was a popular stop for attendees at Remix. The sequence of fragmented images grew more complex as the evening wore on.<\/p>

Frederiks, who is from the Netherlands, focuses as an artist on interactive media, wearable technologies, and robotics.<\/p>

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